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We’ll always have Paris. And as long as there are Americans who long to reinvent themselves, we’ll always have books about Paris — books that still mention Hemingway and ­pigeon-gray rooftops, lovers in cafes and swirling Gauloise smoke. If there’s anything new to be said about the city, or a surprising new way in which to describe it, it’s as rare as a helpful French bureaucrat — at least in the latest batch of books in which Paris is a main character. Kate Betts, at least, got what she went there for. And now, almost 30 years later, she shares her coming-of-age in a self-assured book that should be given to every college senior with a Doisneau poster (or Chanel ad) on her wall。

巴黎无孔不入。只要有渴望重塑自我的美国人在，关于巴黎的书就不会中断。那些书依旧提到海明威，提到鸽灰色的屋顶、咖啡馆里的情侣与高卢牌(Gauloise)香烟。关于这座城市，可说的新鲜事，或者谈论这些新鲜事的方法，就像乐于助人的法国官员，少之又少——这至少适用于最新一批围绕巴黎而写的书。不过，凯特·贝茨(Kate Betts)在巴黎得到了她想要的。30年快过去了，她在充满信心的新书中分享了自己的成长经历。而这本书应该被送给墙上挂着摄影师杜瓦诺(Doisneau)海报或香奈儿广告的每一位大四女孩。

The intensity of the sights and flavors of Paris — not to mention “the shock of history” — Betts felt there on vacation ­before entering Princeton shook the preppy New Yorker. After graduation in 1986, while her friends were preparing to enter law school, she rebelled by heading to Paris without a plan. Although she’d envisioned becoming a war correspondent, she never made it past the city that was home to the fashion and culture she most admired. Betts wanted to become French, and, in this transformation, to learn who she was。

进入普林斯顿大学前的那个假期，贝茨曾到巴黎游览，光是随处可见的美景与风情，就令她这个学生气又学院风的纽约客感到震惊，更不必说那种“历史的震撼”。1986年，贝茨从大学毕业。她的朋友们都在为上法学院做准备，她却叛逆地来到巴黎，一点计划都没做。贝茨曾梦想成为一名战地记者，但巴黎这座城市有她最爱的时尚与文化，这个念头从没超出过这个城市。贝茨想变得更加“法国”，在这种转换中，她想了解自己。

And so she set about cracking the codes of manners, language and style that so govern the French. Her teachers ranged from the slang-spouting children of the family with whom she first lived to the chic friend who shook her head in disbelief when Betts triumphantly displayed a cantaloupe-colored Chanel tweed jacket she’d scored at a sample sale. (“Wear Chanel when you can afford to buy it in the color that suits you. . . . That is the essence of style,” Betts meekly deduced。) And, of course, there are men. But they’re more guides than teachers, especially her love, Hervé, who shows her “douce France” on weekends。

她开始破解主宰法国人言谈举止和风格的符码。寄住家庭里满嘴俗语的小孩和识破她在特卖场上买到的冒牌香奈儿青绿色粗花呢外套的时髦朋友，都成为了她的老师。(“能买得起香奈儿的时候才买香奈儿，而且要买颜色适合你的……这是时尚的精髓，”贝茨温顺地归纳道。)当然，巴黎还有男人。但他们更像导游而不是老师，特别是她的爱人艾赫维(Hervé)，周末总是带她去参观“亲爱的法兰西”。